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Educators and Copyright

What should educators know about copyright?

It is important for you to be aware of copyright Basics, and to consider what it means for you and your students. The TeLS department can help you assess the many situations that arise when you use copyrighted material - contact us!

While there may be some fear around this subject, the more you know about it, the less you should be afraid. Being aware of the law allows you to exercise your rights as an educator and a creator.

Follow these Best Practices >>

  1. You won't have to worry about copyright if you get permission to use materials in the first place! While this is not always easy (for a variety of reasons), the peace of mind getting permission provides can be well worth the effort.
  2. Show your good faith effort at making an accurate fair use evaluation by using a fair use checklist or your own written assessment of each usage and keeping that documentation on file. TeLS is glad to help you do that and will even keep the record for you.
  3. Place a notice of copyright on teaching materials and in any online content area that contains copyrighted material, such as a Blackboard course. This might be as simple as "Materials utilized by this course may be protected by copyright", to something more appropriate to your situation.
  4. Model professional ethical behavior for your students by using proper citations and attributions on your presentations and other content that utilizes copyrighted material. This site has information about copyright for students that may be valuable to your students.

What is Fair Use?

Fair use is a part of the Copyright Act of 1976 that allows for anyone to use copyrighted works under certain conditions, and is important for educators to understand and utilize. The core of fair use are the “Four Factors”

fair use checklist here

  1. Purpose
  2. Nature
  3. Amount
  4. Market Effect

Evaluating these factors in your own usage of a copyrighted work can help you determine whether your use is a fair one. This simple checklist to test for fair use, and the video below, will give you an idea of how this process works. Keep in mind that checklists like this are only general guides, and each case must be weighed individually.

What about the TEACH Act?

This 2002 amendment to copyright law (110(2) and 112) created new exeptions for distance education.
This page at Ball State University is a good overview of the topic.

Be Tranformative

Current thought in educational copyright leans on these two questions:

  1. Is your use Transformative? New purpose, context, etc.
  2. Is the amount used appropriate to satisfy the transformative use?

By focusing on these elements of the Fair Use Doctrine, it should be easier to determine if your use is a fair one.

More thoughts on transformativeness >>

Brandon Butler:
Just to add a little to what's been said so far, I would think that the value of fair use in this context is hard to underestimate, and that (with the usual caveats about needing details) there is a strong likelihood that uses for online teaching would be fair, all else being equal. Why else is a teacher going to perform or display a work in the context of of an online course other than to comment, criticize, illustrate, etc.? Unless the class is bogus (not impossible given the lackluster reputation of for-profit institutions), there will likely be a good fair use story to tell.

Principle One of the Code of Best Practices in Fair Use for Academic and Research Libraries speaks directly to this issue.

On the issue of "transformativeness," I think it's important to remember that courts don't use it in the colloquial sense. Judge Leval himself, who famously coined the phrase, defined it in this way:

I believe the answer to the question of justification turns primarily on whether, and to what extent, the challenged use is transformative. The use must be productive and must employ the quoted matter in a different manner or for a different purpose from the original. A quotation of copyrighted material that merely repackages or republishes the original is unlikely to pass the test; in Justice Story's words, it would merely "supersede the objects" of the original. If, on the other hand, the secondary use adds value to the original--if the quoted matter is used as raw material, transformed in the creation of new information, new aesthetics, new insights and understandings-- this is the very type of activity that the fair use doctrine intends to protect for the enrichment of society.

While I understand the hesitation that some folks feel about the idea that educational uses are "transformative" in the colloquial or popular sense - teachers rarely "remix" or "collage" materials like Jeff Koons or Dangermouse or whomever - surely educational uses are very often going to be transformative in the way that Judge Leval describes, and that judges now apply it. Material employed by a teacher in the course of distance learning courses is surely "used as raw material, transformed in the creation of new information, new aesthetics, new insights and understandings." R. Anthony Reese has looked at the cases and verified that "transformative" use does not require the creation of a new work; rather the key is a new purpose or context for the use.

For more on this issue, you might be interested in Peter Jaszi's forthcoming short article  on fair use and education in light of the courts' general turn to transformativeness as the dominant way of thinking about fair use.

Watch the videos below when you get the chance!

Educational Media Resources

The content linked here is generally free to use in educational settings, provided you follow the usage policies and Creative Commons licensing that may apply.

eBooks and Open Textbooks >>

Audio/Music >>

Images >>

Video >>

Creative CommonsCreative Commons

Creative Commons is a way for anyone to license their content to share.

SEARCH CC Content Now

The organization provides simple guidelines to control a few primary aspects of use: attribution, derivative works, commercial use and sharability. These combine to form 6 different license types that are the basic controls millions have applied to their photos, words, music and videos with the help of Creative Commons. You can the advanced search settings to find only CC content in Google, Flickr and other sites. Then use the attached CC license to guide how to use them in your educational work.

Animation about Creative Commons

Copyright Community

Networking

Copyright Advisory Network
An ALA-sponsored, active and open Q&A forum.

Center for Social Media
Accessible advocacy for Fair Use in education.

Center for Intellectual Property Facebook Page

Examples

CSI story >>

CSI story - What’s in a Name?
by Mike Byrnes

CSI logoIn the beginning, after deciding our anti-plagiarism video would be a crime scene/hospital story, we decided a good title for it would be CSI: Yavapai.  In the spirit of best practice and to follow good faith behavior, we thought it best to seek permission to use the CSI title.  So I called CBS Headquarters in New York.  After being passed around a couple offices in NY, I was told the CSI franchise was produced by Jerry Bruckheimer and I should contact his office in LA.  When I called Jerry Bruckheimer’s office, they said I needed to talk to somebody at CBS.  Argh!  I was given a contact at CBS Television.  After being transferred to a couple more offices at CBS—and after two months from my initial call to CBS Headquarters—I finally contacted somebody who could give me an answer.  Unfortunately, the answer was “No.”
      I told CBS we would give them credit for allowing the use of the CSI name and it would be good P.R. for them to be associated with an anti-plagiarism video.   CBS said they did not want to “. . . water down the CSI mark.”
      In the end, we went with the title Diagnosis: Plagiarism.  Hopefully, after seeing the finished product, CBS will be inclined to work with us in the future and not see our efforts as “watering down their mark.”

Streaming Media Quandary >>

Streaming Media Quandary
by Thatcher Bohrman
An instructor had been showing their face-to-face classes a certain video for nearly a decade. They owned the video on VHS tape, and now wanted to stream the entire 20-minute program to her online classes. The program was created by a company whose business is primarily corporate training media, and the cost of similar products from this company averages $500-1000 for the physical media (a DVD), and does not necessarily include the rights to stream it in any case.

SIMPLIFIED FAIR USE ANALYSIS
Factor 1 (purpose): it's an educational use, but whether it is tranformative - a strong argument for fair use - is unclear. While the video is highly creative, it is not a dramatic work, so factor 2 (nature) weighs in favor of fair use. Factor 3 (Amount) weighs against because the entire work would be streamed, instead of "reasonable and limited portions". The fact that the company markets media to education weighs against a fair use according to 110(2) from The Copyright Act, and it may impact the market (factor 4 - effect) in that one fewer copy would be sold.

Although the instructor concluded for themselves that their use favored fair use, they also imagined that asking permission would result in a denial, which felt wrong. Despite the fear of being denied (and its possible repercussions), it has been established by the US Supreme Court in Campbell v. Acuff-Rose Music (1994) that “being denied permission to use a work does not weigh against a finding of fair use". Even if a rights-holder stipulates needing a license to use their work, it may still be a fair use under the proper circumstances.

Thinking About Linking >>

Thinking About Linking
by Thatcher Bohrman
Whether or not linking to any public webpage is legal is a burning issue in my mind, mainly because it seems such an easy safe harbor. Alas, it may not be (and I really need to vanquish "easy" from my vocabulary).

For many years instructional designers have advised that linking is a failsafe, after all, it's not your material, so how could you be responsible for it? You are only pointing to it. While there is yet to be a court ruling on the strict legality of linking, there may be liability if the material linked to is illegal. Brad Templeton has very thoughtful things to say on the subject.

I believe these are reasonable guidelines:

  1. Linking to legal material is always legal except when a site expressly forbids it.
  2. Linking to material you know or have reason to believe is illegal is not advisable.

In either case, it would still be legal to publish the web address without making that address into a link.


YC Copyright Clearance Provider

The college has a copyright clearance provider for determining if licensing is necessary for course materials. If you do not have permission or cannot determine to your satisfaction whether your use of material is a fair use under the law, Premium Source Publishing will attempt to find out and/or obtain permission to use that material. Such permission may or may not involve a payment to the copyright holder.

Contact them via email:
Brittany Wimmer: brittany@custompublisher.com

YC Policies


Disclaimer: the information provided in this webpage is not legal advice.

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