What should educators know about copyright?
It is important for you to be aware of copyright Basics, and to consider what it means for you and your students. The TeLS department can help you assess the many situations that arise when you use copyrighted material - contact us!
While there may be some fear around this subject, the more you know about it, the less you should be afraid. Being aware of the law allows you to exercise your rights as an educator and a creator.
Fair use is a part of the Copyright Act of 1976 that allows for anyone to use copyrighted works under certain conditions, and is important for educators to understand and utilize. The core of fair use are the “Four Factors”
Evaluating these factors in your own usage of a copyrighted work can help you determine whether your use is a fair one. This simple checklist to test for fair use, and the video below, will give you an idea of how this process works. Keep in mind that checklists like this are only general guides, and each case must be weighed individually.
What about the TEACH Act?
This 2002 amendment to copyright law (110(2) and 112) created new exeptions for distance education.
This page at Ball State University is a good overview of the topic.
Current thought in educational copyright leans on these two questions:
By focusing on these elements of the Fair Use Doctrine, it should be easier to determine if your use is a fair one.
Brandon Butler:
Just to add a little to what's been said so far, I would think that the value
of fair use in this context is hard to underestimate, and that (with the usual
caveats about needing details) there is a strong likelihood that uses for
online teaching would be fair, all else being equal. Why else is a teacher
going to perform or display a work in the context of of an online course other
than to comment, criticize, illustrate, etc.? Unless the class is bogus (not
impossible given the lackluster reputation of for-profit institutions), there
will likely be a good fair use story to tell.
Principle One of the Code of Best Practices in Fair Use for Academic and
Research Libraries speaks directly to this issue.
On the issue of "transformativeness," I think it's important to remember that
courts don't use it in the colloquial sense. Judge Leval himself, who famously
coined the phrase, defined it in this way:
I believe the answer to the question of justification turns primarily on
whether, and to what extent, the challenged use is transformative. The use
must be productive and must employ the quoted matter in a different manner or
for a different purpose from the original. A quotation of copyrighted
material that merely repackages or republishes the original is unlikely to
pass the test; in Justice Story's words, it would merely "supersede the
objects" of the original. If, on the other hand, the secondary use adds
value to the original--if the quoted matter is used as raw material,
transformed in the creation of new information, new aesthetics, new insights
and understandings-- this is the very type of activity that the fair use
doctrine intends to protect for the enrichment of society.
While I understand the hesitation that some folks feel about the idea that
educational uses are "transformative" in the colloquial or popular sense -
teachers rarely "remix" or "collage" materials like Jeff Koons or Dangermouse
or whomever - surely educational uses are very often going to be
transformative in the way that Judge Leval describes, and that judges now
apply it. Material employed by a teacher in the course of distance learning
courses is surely "used as raw material, transformed in the creation of new
information, new aesthetics, new insights and understandings." R. Anthony
Reese has looked at the cases and verified that "transformative" use does not
require the creation of a new work; rather the key is a new purpose or context
for the use.
For more on this issue, you might be interested in Peter Jaszi's forthcoming
short article on fair use and education in light of the courts' general turn
to transformativeness as the dominant way of thinking about fair use.
Watch the videos below when you get the chance!
The content linked here is generally free to use in educational settings, provided you follow the usage policies and Creative Commons licensing that may apply.
Open Textbooks


Creative Commons is a way for anyone to license their content to share.
The organization provides simple guidelines to control a few primary aspects of use: attribution, derivative works, commercial use and sharability. These combine to form 6 different license types that are the basic controls millions have applied to their photos, words, music and videos with the help of Creative Commons. You can the advanced search settings to find only CC content in Google, Flickr and other sites. Then use the attached CC license to guide how to use them in your educational work.
Copyright Advisory Network
An ALA-sponsored, active and open Q&A forum.
Center for Social Media
Accessible advocacy for Fair Use in education.
Center for Intellectual Property Facebook Page
CSI story - What’s in a Name?
by Mike Byrnes
In the beginning, after deciding our anti-plagiarism video would be a crime scene/hospital story, we decided a good title for it would be CSI: Yavapai. In the spirit of best practice and to follow good faith behavior, we thought it best to seek permission to use the CSI title. So I called CBS Headquarters in New York. After being passed around a couple offices in NY, I was told the CSI franchise was produced by Jerry Bruckheimer and I should contact his office in LA. When I called Jerry Bruckheimer’s office, they said I needed to talk to somebody at CBS. Argh! I was given a contact at CBS Television. After being transferred to a couple more offices at CBS—and after two months from my initial call to CBS Headquarters—I finally contacted somebody who could give me an answer. Unfortunately, the answer was “No.”
I told CBS we would give them credit for allowing the use of the CSI name and it would be good P.R. for them to be associated with an anti-plagiarism video. CBS said they did not want to “. . . water down the CSI mark.”
In the end, we went with the title Diagnosis: Plagiarism. Hopefully, after seeing the finished product, CBS will be inclined to work with us in the future and not see our efforts as “watering down their mark.”
Streaming Media Quandary
by Thatcher Bohrman
An instructor had been showing their face-to-face classes a certain video for nearly a decade. They owned the video on VHS tape, and now wanted to stream the entire 20-minute program to her online classes. The program was created by a company whose business is primarily corporate training media, and the cost of similar products from this company averages $500-1000 for
the physical media (a DVD), and does not necessarily include the rights
to stream it in any case.
SIMPLIFIED FAIR USE ANALYSIS
Factor 1 (purpose): it's an educational use, but whether it is tranformative - a strong argument for fair use - is unclear. While the video is highly creative, it is not a dramatic work, so factor 2 (nature) weighs in favor of fair use. Factor 3 (Amount) weighs against because the entire work would be streamed, instead of "reasonable and limited portions". The fact that the company markets media to education weighs against a fair use according to 110(2) from The Copyright Act, and it may impact the market (factor 4 - effect) in that one fewer copy would be sold.
Although the instructor concluded for themselves that their use favored fair use, they also imagined that asking permission would result in a denial, which felt wrong. Despite the fear of being denied (and its possible repercussions), it has been established by the US Supreme Court in Campbell v. Acuff-Rose Music (1994) that “being denied permission to use a work does not weigh against a finding of fair use". Even if a rights-holder stipulates needing a license to use their work, it may still be a fair use under the proper circumstances.
Thinking About Linking
by Thatcher Bohrman
Whether or not linking to any public webpage is legal is a burning issue in my mind, mainly because it seems such an easy safe harbor. Alas, it may not be (and I really need to vanquish "easy" from my vocabulary).
For many years instructional designers have advised that linking is a failsafe, after all, it's not your material, so how could you be responsible for it? You are only pointing to it. While there is yet to be a court ruling on the strict legality of linking, there may be liability if the material linked to is illegal. Brad Templeton has very thoughtful things to say on the subject.
I believe these are reasonable guidelines:
In either case, it would still be legal to publish the web address without making that address into a link.
The college has a copyright clearance provider for determining if licensing is necessary for course materials. If you do not have permission or cannot determine to your satisfaction whether your use of material is a fair use under the law, Premium Source Publishing will attempt to find out and/or obtain
permission to use that material. Such permission may or may not involve a
payment to the copyright holder.
Contact them via email:
Brittany Wimmer: brittany@custompublisher.com
Disclaimer: the information provided in this webpage is not legal advice.
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